dhibooks Chapter 1391 11390 Movies have no borders, but filmmakers have nationalities
Chapter 1391 11390 Movies have no borders, but filmmakers have nationalities
"In the name of 'Film Without Borders,' can we safely cross the Soviet Union?" Second Casting Assistant Anna Moffett looked at the head of the "SA3 Sisters" and Chief Casting Assistant Danielle.
"Films have no borders, and filmmakers have nationalities." Regarding this issue, female director Leni Riefenstahl has the most say: "If you want to fully adapt to the plot and do not turn on high-dimensional capabilities, it seems that you want to pass safely It’s difficult. After all, all disagreements and counterattacks are presented in the form of plot conflicts. Just like the ‘plot killing’ with the help of the ‘small role’ in the plot – the ‘big shot’.”
"It makes sense." Ms. Katie, the deputy casting director, nodded slightly: "Whether it is the high technology it carries or the female stars it carries, the 'Outstanding Lady' has a strong appeal to the 'big shots' from both camps."
"But the plot derivation is good for us." As the leader of the "SA3 Sisters", the chief casting assistant Danielle tried to interpret "The Great Battle" from a "God's perspective" as a "World War II-like plot fragment that is similar and blends across plot fusion time and space" Derived plot under ": "Due to the stalemate in the Battle of Sicily, the British and American coalition forces and the Soviet Red Army were unable to go hand in hand to liberate the European continent. According to real history, the Soviet army should have already invaded Ukraine by this time, instead of being separated from the German army as it is now. Confrontation on the Nieper River.”
In the real world in August 1943, after the defeat in the Battle of Kursk, the German army retreated and turned to defense. They used the river barriers in the middle area to resist tenaciously in an attempt to continue to control some of the most important economic zones east of the Dnieper River; The construction of fortifications along the Leva River, Vitebsk, Orsha, Sozh River, Dnieper River, and Molochnaya River was stepped up to establish a strategic defense line called the "Eastern Barrier", with a section of the Dnieper River as a defense focus.
At the same time, after winning the Battle of Kursk in August, the Soviet army launched a large-scale offensive on the front from Velikiy Luki to the Black Sea. Historically known as the "Lower Dnieper Offensive (also known as the 'Battle of Lower Dnieper')", this was the largest military operation in World War II, involving nearly 8 million troops on both sides and a 400-kilometer-long front. . During the four-month military operation, five Soviet fronts liberated the east bank of the Dnieper River from the Germans, including conducting several cross-river attacks to establish several bridgeheads on the west bank. In Ukraine on the east bank of the Dnieper River, the Soviet offensive campaign ended by forcibly crossing the Dnieper River and capturing Kiev on November 1400 of the same year. To the west, Soviet troops liberated Smolensk and eastern Belarus. From December 4 to April 5, the Soviet army carried out a series of offensive campaigns in Ukraine on the west bank (Dnieper River) with a frontal width of 11 kilometers. However, in these offensive battles, some battles were not successful, or even partial successes, and this was especially the case for the Western Front.
In order to win at all costs, the Soviet Red Army, which fought many battles with brutal human wave tactics, paid higher casualties than the German army. In 1943 alone, a total of 1568708 Red Army soldiers were killed.
Due to the large number of young and middle-aged people who joined the army and were captured and sacrificed, there was a shortage of labor in the rear of the Soviet Union, resulting in a large-scale grain failure in 1943. The Soviet Union, which adopted the wartime communist economy and military-first politics, gave priority to the existing food supplies to the army and war industries. Therefore, by 1944, large-scale famines occurred in some areas of the Soviet Union, such as Kazakhstan, Sverdrovsk Oblast, Khabarovsk and other places. Food shortages continued until the war.
It is similar to the Third Reich that adopted a rationing system in response to shortages of daily necessities. People on both sides are experiencing their own hardships.
In "The Great Battle", which is set in the real world, "a cross-plot fusion time and space in which similar World War II plot fragments are similar and blended", because the Sicilian landing battle did not end as scheduled, the "Lower Dnieper Offensive" has not yet started. There is still a delicate strategic balance between the two camps of the Axis Powers and the Allies.
"Coupled with the tacit understanding of each other's secret preparations for the 'Winona Project'. I think as a continuation of the plot of 'Shakespeare versus Shakespeare', Moscow must have known about the news that European and American filmmakers are preparing to co-produce "Dragon Seed". Although' "Films have no borders", but "filmmakers have nationalities". Just imagine, at this critical juncture of fierce confrontation between the two camps, there must be a hidden secret behind the cooperation between European and American filmmakers. Thinking about it differently, what should we do if we are the top leaders in Moscow? Facing this grand gathering of filmmakers?"
"First welcome him or even join him, and then try to find out the hidden story behind it." Anna Moffitt, the second casting assistant, has already thought: "Considering international public opinion, before the true intention is clear, there are Who would give trouble to filmmakers without borders?”
"As long as there is no winner for one day, in the name of 'Movies Without Borders', we will be able to shuttle the plot between the two camps with ease." Female reporter Lisa suddenly realized: "No one in the two camps of the three-party confrontation can We don’t want to lose points on us first.” As the leader of the “SA3 Sisterhood”, the chief casting assistant Danielle also gave timely encouragement: “What’s more, we still have a trump card that goes beyond the plot.”
"That's right. That's it." Second casting assistant Anna Moffitt was as inspired as the other sister group members present.
"Katie, find a suitable opportunity and invite Olga Chekhov to the set." Danielle, the chief casting assistant, looked at Mrs. Katie, the assistant casting director.
"It is estimated to be difficult." Mrs. Katie has been paying attention to the news in the Berlin film circle: "Recently she has been attending various public events with 'First Lady' Eva Braun to build momentum for the upcoming premiere day. Immediately afterwards is the filming of a new movie, and the schedule is very full, so it is difficult to find time.”
"Is the propaganda director here for these campaign events?" Chief Casting Assistant Danielle asked again.
"Of course." Mrs. Katie understood the key identity of Joseph Goebbels, the No. 2 figure in the Third Reich and the "Lame Ram" minister.
Female director Leni Riefenstahl thought for a while and said: "I think the premiere day might be a good opportunity."
Second Casting Assistant Anna Moffett's eyes lit up: "Yes, because it is a node plot derived from the acceleration of the plot. At that time, the plot lines between us and Olga Chekhov will definitely be the same. There is an intersection. As long as we find an appropriate opportunity to absorb her at the premiere, the rest of the matter will be easy to handle."
Danielle, the leader of the "SA3 Sisterhood" again and the chief casting assistant, unfolded the plot at the right time: "In order to remove the involvement of the 'second character' in the plot and reduce the risk of plot conflicts, there must be someone who can be there when necessary on the premiere day. When, we blocked Propaganda Minister Joseph Goebbels for us.”
"Ah..." Lisa, the female reporter, immediately thought of it.
It was the popular female star who refused to go to Hollywood. Another semi-public identity was the Czechoslovak female star Lida Barova, who was the "screen mistress".